Adobe Premiere Pro CC
All courses are delivered by an Adobe Certified Instructor (ACI).
Course materials will be sent to attendees 2 days prior to the course.
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Premier Pro CC Intro - 2 days
£265
Orientation:
What part of the screen does what
Creating and editing workspaces
Workflow and playback options
Changing 'Preferences'
Setting up a project
Sequence settings
Importing media:
Bringing media into the Project panel
Creating and managing 'bins'
List view and 'hover scrub'
Using the Media Browser
Video editing 1:
Creating 'cuts-only' videos
Using a 'storyboard' to build a rough cut
Editing clips in the Timeline
Moving clips to, from, and within the Timeline
Source Monitor editing tools
Adjusting clips in the Timeline panel
Using other editing tools
Audio adjustments 1:
Adjusting the volume of entire clips
Using keyframes in audio tracks
Audio transitions
Video editing 2:
Rolling, ripple and slip edits
Lift and extract
Replacing a clip and replacing footage
Using Sync Lock and Track Lock
Finding gaps in the timeline
Adding J-cuts and L-cuts
Adding and editing 'in' and 'out' points in a clip
Creating sub-clips
Using the track 'patches'
Video editing 3:
Video transitions
Using the 'A/B mode' to edit a transition
Dealing with 'handles'
Applying transitions to multiple clips at once
Keyframe-based animation:
Editing position, scale, rotation and anchor point
Layering clips
Adding video effects:
Applying effects to multiple clips
Lighting effects and lens flare
Dynamic linking to Adobe After Effects
Shadows and bevelled edges
Drop shadows
Transform and basic 3D
Changing time:
Time remapping
Applying multiple speeds to clips
Making video run backwards
Changing the speed and length of multiple clips
Audio editing 2:
Adding a 'voice-over'
Setting up a voice-recording area
Adjusting audio in the Timeline
Adjusting audio in the Effect Controls panel
Volume vs. gain: what's the difference?
Importing and capturing media:
Using a tapeless workflow
Using the Media Browser
Importing P2, XDCAM, AVCHD, DSLR and RED media
Import image sequences into a single video file
Mixing media formats
Capturing HDV and DV video
Outputting the project:
Exporting frames, clips and sequences
Overview of export options
Recording to tape
Exporting single frames
Using the Export Settings dialogue
Using Adobe Media Encoder
Format overview
Exporting to mobile devices
Exporting to Other NLEs
Final Cut Pro (XML)
Avid (AAF)
Premier Pro CC Advanced - 2 days
£265
The Colour Correction Workspace:
Using Lumetri scopes
Using a reference monitor
Lumetri YC waveform
Lumetri Vectorscope
Levels effect
Curves and vignettes
Managing projects:
Project menu overview
Making a clip offline
Using the Media Browser
Using the Project Manager
Working with a trimmed project
Importing projects or sequences
Importing projects from FCP
Importing projects from Avid
Interpreting Media
Modifying metadata
Creating dynamic titles:
Changing text parameters
Building text from scratch
Putting text on a path
Lower third titles
Rolling text
Closed captions
Compositing techniques:
Shooting video with compositing in mind
Combining layers based on a blend mode
Lightening a dark shot
Creating a film look
Customizing transitions with the 'luma key' effect
Mixing audio:
'Sweetening' sound with audio effects
Stereo sound effects
Automating changes in audio tracks
Outputting tracks to submixes
Correcting tone with the parametric equalizer
Dealing with different frame rates:
'Overcranking' and 'undercranking'
Creating time-lapses
Using pan/scan in your video
Multicam editing:
Syncing clips
Switching camera views in a multicam sequence
Compositing:
Creating a split screen
Using different blending modes
Keying:
Creating a garbage matte
The 'ultra key' effect – 'greenscreen'
Working with alpha channels
Advanced audio:
Unlinking audio from its source video
Fixing audio issues
Integration with other Adobe products:
Using Photoshop
Adding After Effects compositions to Premiere Pro
Using a Dynamic Link
Output:
(Obviously, this is included in both the intro and advanced level courses. Otherwise, only those on the advanced course get to hear how to do it!)
Exporting frames, clips and sequences
Overview of export options
Recording to tape
Exporting single frames
Using the Export Settings dialogue
Using Adobe Media Encoder
Format overview
Exporting to mobile devices
Exporting to Other NLEs
Final Cut Pro (XML)
Avid (AAF)
Moving beyond Premiere:
Establishing a shot
Continuity editing
Matching action
The 180 degree rule